Tritone Substitution Jazz Cadence
II
♭II
I
Jazz
Bebop
About this progression
The dominant V7 is replaced by its tritone substitute (bII7). The bass moves chromatically downward to the tonic, while the voice leading is especially smooth.
Example from the library
As it appears in Canto de Ossanha
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Voicing Explorer
Starting with the voicings from Canto de Ossanha. Change the key or swap any chord to experiment with your own voice leading.